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Tania Mouraud / WCYS ? / TCHIKEBE, Marseille
Tania Mouraud / WCYS ? / TCHIKEBE, Marseille
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Tania Mouraud / WCYS ? / TCHIKEBE, Marseille
Tania Mouraud / WCYS ? / TCHIKEBE, Marseille
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Tania Mouraud / WCYS ? (détail) / TCHIKEBE, Marseille
Tania Mouraud / WCYS ? (détail) / TCHIKEBE, Marseille
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Tania Mouraud / WCYS ? (détail) / TCHIKEBE, Marseille
Tania Mouraud / WCYS ? (détail) / TCHIKEBE, Marseille
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Tania Mouraud / WCYS ? (signature) / TCHIKEBE, Marseille
Tania Mouraud / WCYS ? (signature) / TCHIKEBE, Marseille
Tania Mouraud France, b. 1942
WCYS ?, 2016
Sérigraphie et argenture sur verre
40 x 40 cm
Édition de 8 exemplaires + 2 E.A.
Signé et numéroté au dos
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Born in 1942 in Paris, France Lives and works in Colombiers, France From the end of the sixties, Tania Mouraud's work explores the relation between art and social connections through...
Born in 1942 in Paris, France
Lives and works in Colombiers, France
From the end of the sixties, Tania Mouraud's work explores the relation between art and social connections through various medium such as painting, installation, photo, sound, video, performance, etc.She proposes to add a meditation room to our standard apartments (1968). On 54 billboards in Paris(1977) she declares her disapproval of a society glorifying consumption at the expense of individuals . She investigates the decorative relation between art and war as well as the limitation of perception by creating "mots de forme" (words of shape) (1989). From 1998, she uses photo, sound and video examining different aspects of History and Life.
Lives and works in Colombiers, France
From the end of the sixties, Tania Mouraud's work explores the relation between art and social connections through various medium such as painting, installation, photo, sound, video, performance, etc.She proposes to add a meditation room to our standard apartments (1968). On 54 billboards in Paris(1977) she declares her disapproval of a society glorifying consumption at the expense of individuals . She investigates the decorative relation between art and war as well as the limitation of perception by creating "mots de forme" (words of shape) (1989). From 1998, she uses photo, sound and video examining different aspects of History and Life.
